Commissions & Collaborations |
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Still Kicking for clarinet - written for clarinetist Chester Brezniak, 2022
Irreveries from Sappho - arranged for clarinet quartet (Chester Brezniak, Karen Luttik, Stephen Bates & Julie Meneghini), 2016
Butterfly Effects - arranged for oboist
Cynthia Green Libby, 2010
Butterfly Effects - written for the Duo "2": flutist
Peter H. Bloom and harpist Mary Jane Rupert,
2008-9
Corollaries - commissioned by
hornist Francis Massinon for premiere at Austin Peay State
University, 2007
Five Inventions - commissioned by
hornist Francis Massinon for premiere at Austin Peay State
University, 2005
To Music - commissioned by flutist Lisa Vanarsdel
and written for her and for the Laurels Flute Project, 2003
Kleemation for flute & piano - commissioned
by Austin Peay State University for flutist Lisa Vanarsdel
and pianist Patricia Halbeck for premiere on the Dimensions
New Music series, March 31, 2003 mp3
This is my letter to the World for soprano, flute & piano -
commissioned by flutist Patricia Harper for premiere on the
Fifth Annual Women in Music concert series at Connecticut College,
2001
American Fancy for two pianos - written
for premiere by the composer Elizabeth Vercoe and pianist Wanda
Paik at the Sixth Festival of Women Composers at Indiana University
of Pennsylvania & on a faculty concert at Regis College,
2001
Four Humors for clarinet & piano - commissioned
by the Music Teachers Nat'l Assoc. with the Massachusetts Chapter
for premiere at their annual convention, 1992 mp3
Changes for orchestra - commissioned
by the Pro Arte Chamber Orchestra in 1991 for the debut concert
of artistic director Gisele Ben-Dor mp3
A Dangerous Man: A Monodrama on John Brown -
commissioned by Austin Peay State University, 1990
In the Storm - commissioned by Chamber
Music in Watertown for the 10th anniversary of the founding
of the concert series, 1989
Despite our differences #2 - written for
premiere by the Pro Arte Orchestra in 1988 with Randall Hodgkinson,
piano, and David Hoose, conducting
Echo Jive - commissioned by Hampshire College
in 1987 for the Hampshire College Chorus, Ann Kearns, conductor
Herstory III - commissioned by Austin
Peay State University in 1986 and by the Center for the
Creative Arts for Sharon Mabry, mezzo soprano mp3
Nine Epigrams from Poor Richard - written
for premiere by Joan La Barbara in 1986 at the Longy School
of Music in Cambridge, MA
A la fin-tout seul - written for mandolinist
Neil Gladd for premiere on the Women's Music Festival/85 at
Boston University
Parodia sopra "Lasciate mi morire" - written
for harpist Susan Allen for premiere on the Opus 2 Conference
on Women in Music at the University of Michigan, 1983
Persona for Piano - commissioned for
the First National Congress on Women in Music & supported
in part by grants by Meet the Composer and Smith College in
1981. Choreographed by Beth Soll for the Beth Soll Dance Company,
1986
Fanfare for Three Trumpets and Timpani -
commissioned by Wellesley College in 1981 for the inauguration
of Nannerl Overholser Keohane, 11th president of Wellesley
College
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